SM Entertainment has been at the forefront since Hallyu first swept the world, now it gears up for the next generation through Aespa.
Pop Culture
In ‘Schumacher,’ testimonies from the racing driver’s family give fans some semblance of an update, and a shared opportunity for catharsis.
The new Netflix original series from South Korea portrays the game of life as the product of the over-competitive society we live in, through the lens of simplistic games made for children.
After a year and a half since their last release as a unit, and three weeks of samplers and teasers, NCT 127 is finally back with their third full-length album, “Sticker.”
Manila, Philippines – The end of this heist is coming! To celebrate the final part of La Casa De Papel, Netflix has teamed up with four...
Towards the end of 2020, the Netflix K-Drama “Start-Up” became wildly popular with a fanbase that kept asking for justice and happy ending for the show’s “second lead,” Kim Seon-ho. You might have seen it online (and offline) — the hashtags #TeamGoodBoy versus #TeamDoSan (aka #TeamSadBoi).
“Bae Joo-hyun! Kang Seulgi! Son Seung-wan! Park Soo-young! Kim Ye-rim! Red Velvet! Psycho!” That’s how the fanchant goes, and how it was seen in this version...
Over the course of two seasons, “Kingdom” has shown great range and depth in tackling social inequalities, politics, and the horrors it comes with.
That the undead were part of it was just the lore. Or in a sense, just another means of spreading the intended message of the series.
The adaptation of the komiks series “Trese” is a game-changer in more ways than one. These creatures and their stories have been around for centuries, but it was only in 2021 that we could finally see our tikbalang, manananggal, and nuno on a global streaming platform like Netflix.
A genetics research lab working on a groundbreaking cure ends up creating a virus that changes life as we know it. Sounds familiar? Well, it’s also the story behind “Sweet Tooth,” Netflix’s latest series adapted from the 2009 comic book series by Jeff Lemire.